UNIT TWO: Dynamic Figure Drawing | Day 1 – Explore figure sketching techniques/simplification
I’ve been actively avoiding working on this challenge all day. I feel like it is because it is so damn overwhelming. It took so much for me to even just sit down and start working on this.
But now that I have sat down and am working on this, I want to create a mini lesson plan for today.
Since today is about exploring figure sketching techniques and simplification, I shall design a lesson plan to make it impossible not to get good at those things. As I’ve said before, lesson plans let me connect to the present moment, on one task at a time. This in turn helps me work through the feeling of being overwhelmed.
Mini syllabus for: explore figure sketching techniques/simplification
Total time: 90 minutes (est 30 min per unit, 10 min per part)
Circle head, half for nose line, half of that for mouth line
line for neck
line for spine
line for hips perpendicular to spine
line for shoulders perpendicular to spine
Head shapes
circle with lopped side for skull
cut cube for face
Sketchy woodwork for finding pose
Keep scratching until a form emerges
Erase or lighten then refine
Advanced shapes
triangle tricep
triangle forearm
teardrop thighs
diamond calf
box pecs
triangle delts
pen tip torso
Mini unit 2: Experiment
Part 1: School of thought 1
I practiced basic armature and it looked pretty bad. I think I started to improve when I moved the hips a little higher.
Part 2: School of thought 2
Things started to improve a little here. I really like the method of simple shapes for the head. I felt like I understood the geometry much better.
Part 3: School of thought 3
This is when I used the sketchy woodwork carving out a pose and when I refined it, I used the advanced shaped coupled with everything else I learned. I really really like this method. Gives me dynamic poses without losing the anatomy.
I didn’t get to Unit 3 because I feel complete and it is 2AM and I want to go to bed.
Very happy with today’s progress. I feel like I killed it at the figure drawings and I feel much more confident drawing figures.
After trying out the first two AGT (ATHLETIC TRUTH GROUP) Zero workouts from the Knees Over Toes guy, I’m feeling very hopeful. The kinds of exercises we are doing legitimately make the knee feel stronger and more flexible and like it was worked out in the right ways.
The main issue is inflammation. After a few days of non-stop traveling, weeks of stress and sleep deprivation, and a workout that left my knees shaking, it’s no wonder I felt extremely inflamed and depleted afterward, the thing I always worry about when I work out.
Luckily, I talked to my coach today about feeling like I shouldn’t work during depletion even though work sometimes makes me feel stronger and more energetic. I finally have a sort of solution to depletion and inflammation. It’s a version of self-soothing that I like to call self-cuddling. I thought of it because sometimes I just wish my girlfriend was here so I could cuddle with her, but I can actually hold myself and freeze in soft comfy positions that I can then move and change. There are elements of stillness and comfort and delicious movement.
There is a sort of feeling that work is similar. That interesting and powerful work can be delicious movement and calmness can be holding myself and cuddling with myself.
All this is very similar to the dance practice I used to do all the time. Some self-massage, holding myself in comforting poses, and fast spinning clearing movements.
A short test of this yields amazing results. I felt the inflammation moving and melting. My system fluid and de-stagnated.
I haven’t been sleeping well. I’m feeling tired lonely and unmotivated.
Feeling into more my feelings, I feel exhausted. Probably need to just hang for a bit.
I went to go hang for a bit and I feel a little better. However, I still feel pretty tired.
One thing that I want to point out is that I at least slept much better last night than previous nights and was able to go to sleep around 1 am instead of 2 or 4.
One of the things that I’ve been struggling with is mewing. Just like last time, I think I don’t know what to do with my jaw. I’m thinking I will focus on keeping the tongue in the top of my mouth and a good posture and not worry about closing my jaw because that feels uncomfortable (and for some reason my mouth gets really dry).
I’m trying to get back into my coaching mindset:
You are in my house – this is a big one because I feel out of control of my life at the moment
Don’t be afraid to be silent
Take risks
Be patient
Well I got an artist interview in about 6 minutes, but after that, I want to go somewhere fun and write about the artist interviews as well as compile my notes.
So I’ve been stuck in Silver 3 forever after the rank reset and it seems that I need to do a second climb to Plat again. Perhaps I just need to relearn the basics better.
So there is a peeking guide by Noted that I’ve been trying to apply for the longest time and I think I finally understand a good mentality and visualization that can make the peeks good. It is interesting because I’ve been feeling so down about Valorant recently but I always tell myself that the lower elo I go, the more freedom I have to innovate, and innovation is definitely the thing I like to do.
So here is Noted’s peeking guide:
He talks in the peeking guide that its just something you “get used to”. But I wanted to find a way to break it down do that anyone could learn it and that you would never overpeak and angle even if you are not far away enough. This idea of drawing a line to the contested “fighting area” allows for a simple visualisation that will ensure you don’t overpeak, and to do noted’s peek, you simply have to think about drawing a longer line.
I demonstrate it here:
Another note, the best way to peak safely with this method is to have the “line” end close to the edge of the wall, allowing you to peek back in if you miss your shot.
The next piece I might need to refine is just counter strafing because that still isn’t that solid for me, especially for moving targets that I need to constantly adjust for. The initial research into this yields that miyagi-do/looking at distance between crosshair and head is the best solution so far. Results have been good, but it hurts my wrist. I am experimenting with a looser grip and using more of the arm to aim.
UNIT TWO: Dynamic Figure Drawing | Day 1 – Explore figure sketching techniques/simplification
I’ve been actively avoiding working on this challenge all day. I feel like it is because it is so damn overwhelming. It took so much for me to even just sit down and start working on this.
But now that I have sat down and am working on this, I want to create a mini lesson plan for today.
Since today is about exploring figure sketching techniques and simplification, I shall design a lesson plan to make it impossible not to get good at those things. As I’ve said before, lesson plans let me connect to the present moment, on one task at a time. This in turn helps me work through the feeling of being overwhelmed.
Mini syllabus for: explore figure sketching techniques/simplification
Total time: 90 minutes (est 30 min per unit, 10 min per part)
Circle head, half for nose line, half of that for mouth line
line for neck
line for spine
line for hips perpendicular to spine
line for shoulders perpendicular to spine
Head shapes
circle with lopped side for skull
cut cube for face
Sketchy woodwork for finding pose
Keep scratching until a form emerges
Erase or lighten then refine
Advanced shapes
triangle tricep
triangle forearm
teardrop thighs
diamond calf
box pecs
triangle delts
pen tip torso
Mini unit 2: Experiment
Part 1: School of thought 1
I practiced basic armature and it looked pretty bad. I think I started to improve when I moved the hips a little higher.
Part 2: School of thought 2
Things started to improve a little here. I really like the method of simple shapes for the head. I felt like I understood the geometry much better.
Part 3: School of thought 3
This is when I used the sketchy woodwork carving out a pose and when I refined it, I used the advanced shaped coupled with everything else I learned. I really really like this method. Gives me dynamic poses without losing the anatomy.
I didn’t get to Unit 3 because I feel complete and it is 2AM and I want to go to bed.
Very happy with today’s progress. I feel like I killed it at the figure drawings and I feel much more confident drawing figures.
After trying out the first two AGT (ATHLETIC TRUTH GROUP) Zero workouts from the Knees Over Toes guy, I’m feeling very hopeful. The kinds of exercises we are doing legitimately make the knee feel stronger and more flexible and like it was worked out in the right ways.
The main issue is inflammation. After a few days of non-stop traveling, weeks of stress and sleep deprivation, and a workout that left my knees shaking, it’s no wonder I felt extremely inflamed and depleted afterward, the thing I always worry about when I work out.
Luckily, I talked to my coach today about feeling like I shouldn’t work during depletion even though work sometimes makes me feel stronger and more energetic. I finally have a sort of solution to depletion and inflammation. It’s a version of self-soothing that I like to call self-cuddling. I thought of it because sometimes I just wish my girlfriend was here so I could cuddle with her, but I can actually hold myself and freeze in soft comfy positions that I can then move and change. There are elements of stillness and comfort and delicious movement.
There is a sort of feeling that work is similar. That interesting and powerful work can be delicious movement and calmness can be holding myself and cuddling with myself.
All this is very similar to the dance practice I used to do all the time. Some self-massage, holding myself in comforting poses, and fast spinning clearing movements.
A short test of this yields amazing results. I felt the inflammation moving and melting. My system fluid and de-stagnated.
I haven’t been sleeping well. I’m feeling tired lonely and unmotivated.
Feeling into more my feelings, I feel exhausted. Probably need to just hang for a bit.
I went to go hang for a bit and I feel a little better. However, I still feel pretty tired.
One thing that I want to point out is that I at least slept much better last night than previous nights and was able to go to sleep around 1 am instead of 2 or 4.
One of the things that I’ve been struggling with is mewing. Just like last time, I think I don’t know what to do with my jaw. I’m thinking I will focus on keeping the tongue in the top of my mouth and a good posture and not worry about closing my jaw because that feels uncomfortable (and for some reason my mouth gets really dry).
I’m trying to get back into my coaching mindset:
You are in my house – this is a big one because I feel out of control of my life at the moment
Don’t be afraid to be silent
Take risks
Be patient
Well I got an artist interview in about 6 minutes, but after that, I want to go somewhere fun and write about the artist interviews as well as compile my notes.
So I’ve been stuck in Silver 3 forever after the rank reset and it seems that I need to do a second climb to Plat again. Perhaps I just need to relearn the basics better.
So there is a peeking guide by Noted that I’ve been trying to apply for the longest time and I think I finally understand a good mentality and visualization that can make the peeks good. It is interesting because I’ve been feeling so down about Valorant recently but I always tell myself that the lower elo I go, the more freedom I have to innovate, and innovation is definitely the thing I like to do.
So here is Noted’s peeking guide:
He talks in the peeking guide that its just something you “get used to”. But I wanted to find a way to break it down do that anyone could learn it and that you would never overpeak and angle even if you are not far away enough. This idea of drawing a line to the contested “fighting area” allows for a simple visualisation that will ensure you don’t overpeak, and to do noted’s peek, you simply have to think about drawing a longer line.
I demonstrate it here:
Another note, the best way to peak safely with this method is to have the “line” end close to the edge of the wall, allowing you to peek back in if you miss your shot.
The next piece I might need to refine is just counter strafing because that still isn’t that solid for me, especially for moving targets that I need to constantly adjust for. The initial research into this yields that miyagi-do/looking at distance between crosshair and head is the best solution so far. Results have been good, but it hurts my wrist. I am experimenting with a looser grip and using more of the arm to aim.
UNIT TWO: Dynamic Figure Drawing | Day 1 – Explore figure sketching techniques/simplification
I’ve been actively avoiding working on this challenge all day. I feel like it is because it is so damn overwhelming. It took so much for me to even just sit down and start working on this.
But now that I have sat down and am working on this, I want to create a mini lesson plan for today.
Since today is about exploring figure sketching techniques and simplification, I shall design a lesson plan to make it impossible not to get good at those things. As I’ve said before, lesson plans let me connect to the present moment, on one task at a time. This in turn helps me work through the feeling of being overwhelmed.
Mini syllabus for: explore figure sketching techniques/simplification
Total time: 90 minutes (est 30 min per unit, 10 min per part)
Circle head, half for nose line, half of that for mouth line
line for neck
line for spine
line for hips perpendicular to spine
line for shoulders perpendicular to spine
Head shapes
circle with lopped side for skull
cut cube for face
Sketchy woodwork for finding pose
Keep scratching until a form emerges
Erase or lighten then refine
Advanced shapes
triangle tricep
triangle forearm
teardrop thighs
diamond calf
box pecs
triangle delts
pen tip torso
Mini unit 2: Experiment
Part 1: School of thought 1
I practiced basic armature and it looked pretty bad. I think I started to improve when I moved the hips a little higher.
Part 2: School of thought 2
Things started to improve a little here. I really like the method of simple shapes for the head. I felt like I understood the geometry much better.
Part 3: School of thought 3
This is when I used the sketchy woodwork carving out a pose and when I refined it, I used the advanced shaped coupled with everything else I learned. I really really like this method. Gives me dynamic poses without losing the anatomy.
I didn’t get to Unit 3 because I feel complete and it is 2AM and I want to go to bed.
Very happy with today’s progress. I feel like I killed it at the figure drawings and I feel much more confident drawing figures.
After trying out the first two AGT (ATHLETIC TRUTH GROUP) Zero workouts from the Knees Over Toes guy, I’m feeling very hopeful. The kinds of exercises we are doing legitimately make the knee feel stronger and more flexible and like it was worked out in the right ways.
The main issue is inflammation. After a few days of non-stop traveling, weeks of stress and sleep deprivation, and a workout that left my knees shaking, it’s no wonder I felt extremely inflamed and depleted afterward, the thing I always worry about when I work out.
Luckily, I talked to my coach today about feeling like I shouldn’t work during depletion even though work sometimes makes me feel stronger and more energetic. I finally have a sort of solution to depletion and inflammation. It’s a version of self-soothing that I like to call self-cuddling. I thought of it because sometimes I just wish my girlfriend was here so I could cuddle with her, but I can actually hold myself and freeze in soft comfy positions that I can then move and change. There are elements of stillness and comfort and delicious movement.
There is a sort of feeling that work is similar. That interesting and powerful work can be delicious movement and calmness can be holding myself and cuddling with myself.
All this is very similar to the dance practice I used to do all the time. Some self-massage, holding myself in comforting poses, and fast spinning clearing movements.
A short test of this yields amazing results. I felt the inflammation moving and melting. My system fluid and de-stagnated.
I haven’t been sleeping well. I’m feeling tired lonely and unmotivated.
Feeling into more my feelings, I feel exhausted. Probably need to just hang for a bit.
I went to go hang for a bit and I feel a little better. However, I still feel pretty tired.
One thing that I want to point out is that I at least slept much better last night than previous nights and was able to go to sleep around 1 am instead of 2 or 4.
One of the things that I’ve been struggling with is mewing. Just like last time, I think I don’t know what to do with my jaw. I’m thinking I will focus on keeping the tongue in the top of my mouth and a good posture and not worry about closing my jaw because that feels uncomfortable (and for some reason my mouth gets really dry).
I’m trying to get back into my coaching mindset:
You are in my house – this is a big one because I feel out of control of my life at the moment
Don’t be afraid to be silent
Take risks
Be patient
Well I got an artist interview in about 6 minutes, but after that, I want to go somewhere fun and write about the artist interviews as well as compile my notes.
So I’ve been stuck in Silver 3 forever after the rank reset and it seems that I need to do a second climb to Plat again. Perhaps I just need to relearn the basics better.
So there is a peeking guide by Noted that I’ve been trying to apply for the longest time and I think I finally understand a good mentality and visualization that can make the peeks good. It is interesting because I’ve been feeling so down about Valorant recently but I always tell myself that the lower elo I go, the more freedom I have to innovate, and innovation is definitely the thing I like to do.
So here is Noted’s peeking guide:
He talks in the peeking guide that its just something you “get used to”. But I wanted to find a way to break it down do that anyone could learn it and that you would never overpeak and angle even if you are not far away enough. This idea of drawing a line to the contested “fighting area” allows for a simple visualisation that will ensure you don’t overpeak, and to do noted’s peek, you simply have to think about drawing a longer line.
I demonstrate it here:
Another note, the best way to peak safely with this method is to have the “line” end close to the edge of the wall, allowing you to peek back in if you miss your shot.
The next piece I might need to refine is just counter strafing because that still isn’t that solid for me, especially for moving targets that I need to constantly adjust for. The initial research into this yields that miyagi-do/looking at distance between crosshair and head is the best solution so far. Results have been good, but it hurts my wrist. I am experimenting with a looser grip and using more of the arm to aim.
